Potentiality of Art
May 19, 2011
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCoiBij8VbA7BZMoG0kSFa2BeAZ_q-4DivSbkUzo_yYJFXSNvZvfvcXs3TMAP6CbmTeStw4lyUIbAODSluLSZxqGHWMeQ8vQdOLqazNL9Cx4SVg4dnZTR9218k7vUTFA1A2YmOIjcQ91Hi/s200/201105-25-46-f0044846_5215342.jpg)
Among the galleries, there was a gallery that had several displays of dynamic objets d’art made of steel frames and car bumpers. I would have been gazing into these several months ago, saying “How cool!” However, here I thought frankly that the cars in Onagawa looked great (smile). The cars twisted and bent by the forces of the tsunami could become an art, I was firmly convinced.
After the 311 disaster, my view on things had totally changed. No art can surpass a formation by the nature, no matter what they are and no matter who made the arts.
Meat Market district was located in the southwestern part of Manhattan. I strolled in the promenade called High Line which was the modification of the old, discontinued railroad. The wooden deck that extended straight from North to South commanded a view of the railroad along the way here and there. The meticulously cared garden and properly-calculated, yet pleasing placement of benches added to this promenade an alluring taste that blends into old buildings in Manhattan. It made me feel like that I want to take a walk every day.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkW-d0_keIg7WwBADffXj8SRP0e0iC8YwzEgUkqF2eupux3HRZYVI9IEUzgHgtZZjmiXvlGm0MfU2xS5e1oLCo0eYIvrcWQcAtoP2PunYCL_bpbsvBIhTSiAqo8cQjjVHHaKSW2FynxWNz/s320/201105-25-46-f0044846_5215031.jpg)
Thinking about planting a lot of plants in the places where many lives were lost, I was strolling in an obscure corner of Manhattan in the twilight. As the evening draws in, I also enjoyed the transformation of NY in 10 years.
0 件のコメント:
コメントを投稿